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簡介

東和鋼鐵娱乐長期努力於關懷社會公益,彰顯與臺灣這塊地盘配合成長的熱愛關切與責任。2009年至2011年間與國藝會互助「東和鋼鐵藝術家駐廠創作專案」,邀請藝術家進駐苗栗廠區創作大型鋼雕作品,開啟了藝術與工業生產間的全新連結。更於2012年娱乐創坐五十周年之際,設立「財團法人東和鋼鐵文明基金會」,以提昇國人文化藝術素養為目标,積極扶植藝術人材、推廣藝術教诲、推動文創產業發展及辦理或贊助文明藝術活動。
基金會於2013年發起第一屆「東和鋼鐵國際藝術家駐廠創作計畫」,每一年邀請一名臺籍、一名外籍藝術家進駐東鋼娱乐苗栗廠,運用廢鋼材進行創作,已為臺灣企業與藝術互助的紧张案例之一,更正在工業生產與藝術表現之間創造了新的火花。比年來陸續主辦「高雄國際鋼雕藝術節」、「FORMOSA雕塑雙年展」、「國際袖珍雕塑展」等多項活動,希冀串聯國際藝文網絡,建構兼具學術與創作之交流平台,帶動臺灣整體藝文環境發展。

The Foundation had held the first “Tung Ho Steel International Artist Residency Program” since 2013. Every year, one domestic artist and one foreign artist are invited to Miaoli Works, and artists utilized steel scraps as their creative materials. The finished works are great in both quality and quantity. The foundation also hold “Kaohsiung International Steel & Iron Sculpture Festival,” “FORMOSA Sculpture Biennial,” “International Shoebox Sculpture Exhibition,” we hope to establish links with the international art communities in order to build a platform of exchange that facilitates academic research and artistic creation.

Chairperson : Shu-Chau Wang Ho

A long time devotee to the promotion of arts and culture in Taiwan, Mrs. Shu-Chau Wang Ho currently serves as the Chief Operating Officer of the Tung Ho Steel Enterprise Corporation. From establishing “Spring Gallery” in 1978, until the Spring Foundation was founded in 1999, Mrs. Ho has continuously involved in activities of international organizations such as the Asia Cultural Council and the National Culture and Arts Foundation, etc., concerning about the development of contemporary art and cultivation of talent in Taiwan. She had been participated in the management of Taipei Huashan Art District and Art Stock 20 in Taichung, commissioned by the R.O.C. government to operate the Museum of Contemporary Art, Taipei( MOCA, Taipei) while serving as the chairman of the Contemporary Art Foundation. Additionally, she was instrumental in the establishment of the first curatorial company in Taiwan, the L’Orangerie International Art Consultant Co. Ltd. – hence injecting new developmental momentum into Taiwan’s cultural industry.


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